LIVINGSTONE, MS: Vision and Art: The Biology of Seeing

Livingstone, Margaret S. Vision and Art: The Biology of Seeing. Harry N. Abrams, 2002. ISBN: 0810904063. Unmarked. Very Good in very good dust jacket. Hardcover. (#30980)

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Explains how the human vision works and demonstrates that the many answers to these and many other questions about art depend ultimately on the cells in our eyes and our brains. Foreword by David Hubel.

Further reading. 150 illustrations, including 108 charts and plates in full color. Epilogue: Talent, Music, and Learning Disabilities. Index. 207p.

IONE, A: Examining Semir Zeki’s ‘Neural Concept Formation and Art: Dante, Michelangelo, Wagner’

Ione, Amy Examining Semir Zeki’s ‘Neural Concept Formation and Art: Dante, Michelangelo, Wagner’. Exeter, UK: Imprint Academic, 2003. Unmarked throughout. Bumped corner. Very Good. Paperback (Saddle Stitched). (#26367) $10.00

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Offprint from the Journal of Consciousness Studies, 10, No. 2, 2003. pp58-66. References.

DIETRICHS, E: The Brain and the Arts

Dietrichs, Espen; Stien, Ragnar (editors). The Brain and the Arts. Koloritt, 2008. ISBN: 9788292395646. Unmarked text. Unmarked white label on front end page. Lavishly illustrated.The text is in English. 307pp. Index. International bibliography. Very Good. Paperback. (#24078) $150.00

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Printed on glossy stock. A collection of articles from the Norwegian Neuro-Literary Club, a group of medical doctors. The collection examines how neurological diseases diseases influence creative artists and how artists use their experience with diseases of the nervous system in their creative work.