BOYD, A: Arthur Boyd: 30 Paintings 1985-1994, 23 Etchings 1993.

Pearce, Barry; McKenzie, Janet; Kolenberg Hendrik. Arthur Boyd: 30 Paintings 1985-1994, 23 Etchings 1993. Australian Galleries, 1994. Unmarked. Nick on cover. Very Good. Paperback. (#31196) $30.00

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Catalog for 1994 exhibitions in Sydney and Melbourne that coincided with the Arthur Boyd Retrospective. Essays by Barry Pearce, Janet McKenzie, and Hendrik Kolenberg, Biographical notes. Paintings are illustrated in color. Photo of the artist. 63p. Measures 9×9.5 inches.

Australian painter Arthur Boyd’s (1920-1999) work ranged from impressionist renderings of Australian landscape to starkly expressionist figuration, and many canvases feature both.

CORINTH, L: Lovis Corinth: Master Prints and Drawings from the Marcy Family and the National Gallery of Art

Book cover. Lovis Corinth: Master Prints and Drawings from the Marcy Family and the National Gallery of ArtWith, Christopher B. Lovis Corinth: Master Prints and Drawings from the Marcy Family and the National Gallery of Art. Washington DC: National Gallery of Art, 1993. ISBN: 0894681990. Unmarked. Corner crease on back cover. Good. Paperback. (#31175) $12.00

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Black-and-white illustrations throughout. Catalog for 12 September 1993–21 February 1994 exhibition. Includes notes on Corinth’s printmaking techniques. Measures 9.5×11.25 inches.

BASELITZ, G: Georg Baselitz: Pastels, Watercolors, Drawings

Book cover. Georg Baselitz: Pastels, Watercolors, DrawingsDahlem, Franz. Georg Baselitz: Pastels, Watercolors, Drawings. Mathew Marks Gallery, 1992. ISBN: 1880146045. Unmarked. Slight sun line on back of dust jacket. Very Good in very good dust jacket. Paperback. (#31146) $25.00

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Catalog for May 2-June 26, 1992 exhibition at Matthew Marks Gallery. 18 color plates and 9 black-and-white plates. Photo of the artist. Introduction, written in letter form by the critic Franz Dahlem, a friend of the artist.

Jacket covers a paperback book.

Georg Baselitz (b. 1938) is a German painter, sculptor and graphic artist. Since 1969, he has painted his subjects upside down in an effort to overcome the representational, content-driven character of his earlier work and stress the artifice of painting.