RAWLINS, I: [TECHNICAL REPORT ] From the National Gallery Laboratory

Rawlins, Ian; Bragg, William. From the National Gallery Laboratory. National Gallery Laboratory, 1940. Unmarked. Significant age tanning on ages and boards. Loose binding. Acceptable. Hardcover. (#30649) $18.00

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Preface by Sir William Bragg. Introduction and notes by Ian Rawlins.

Printed for the Trustees. Black and white plates showing the paintings and corresponding X-rays (macrophotographs) of works in the National Gallery London collection.

Artists include Raphael’s Madonna, Child and S. John; Gioanni Bellini’s (detail from) Doge Leonardo Loredano; Lucas van Leyden’s (detail from) Portrait of a Man, and more.

PORRO, J: Photograph Preservation and the Research Library

Book cover. Photograph Preservation and the Research LibraryPorro, Jennifer (Editor). Photograph Preservation and the Research Library. The Research Libraries Group., 1991. Unmarked. Very Good. Paperback (Saddle Stitched). (#30524) $15.00

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Illustrated. 56p. Symposium proceedings. Articles cover preserving photographic collections, duplication of deteriorating collections, accessing large collections, holding diverse collections, and more. Author’s include James M. Reilly, Debbie Hess Norris, Steven T. Puglia, Paula De Stefano, Julia Van Haaften, and Patricia McClung.

Inside page: Photograph Preservation and the Research Library

BARBOUR, D: Facture Volume 2: Conservation, Science, Art History; Art in Context

Book cover. Facture Volume 2: Conservation, Science, Art History; Art in ContextBarbour, Daphne; Gifford, E. Melanie (editors). Facture Volume 2: Conservation, Science, Art History; Art in Context. National Gallery, 2015. ISBN: 9780300217087. Shrink wrapped. Like New. Paperback. (#30509) $26.00

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Research on masterpieces from the National Gallery of Art, DC.

Seven essays are illustrated with outstandingly detailed photography. Examines works such as Giotto’s Madonna and Child, bronze sculptures by Auguste Rodin, watercolors by John Marin, early paintings by Andy Warhol, and Mark Rothko’s multiforms, which mark the birth of his abstraction. 170p.

Back cover. Facture Volume 2: Conservation, Science, Art History; Art in Context